Readers
With the titles of "introspection" and "The Heritage of Arachne" are exposed to the public in the ways rooms of provincial cultural center "classrooms" of our city, the exhibition of women painters and Eva Córdoba experienced Armelle Pilar Edo, respectively.
The first, a young painter who has pleasantly surprised me with their jobs, not just for cleanliness and precision of the finish of his pictures, but because he knows "mask" well some of its shortcomings, very typical for Moreover, his self-taught, especially on issues related to drawing and composition, something that denotes not only tasteful but also intelligence. 
One aspect that caught my attention in this exhibition, that language is "graphic" Cordoba Armelle used in his paintings, based on a treatment of "ink" flat like a silkscreen or offset printing involved. At present and for quite some time, and there is a painting technique such as acrylic, which greatly helps to obtain the same treatment and outcome but nevertheless this young author is using the oil technique to achieve the same result " What is the cause? "Trait" novelty "Ignorance or just preference? The fact is that without doubt his paintings as fragmented maze puzzles white outline, convey a feeling a bit "naive" in that language poster, fitting and used in the past decades of early twentieth century, mainly in streams Art Deco and Art Nouveau (Modernism in Spain). 
For now I have to say, the beginning for this painter has been good, but both "recent" hobby, as his early youth, it allows me the time to develop a greater and wider appreciation of work. I have only wish him luck and say that the real success is to the extent that one can be consolidated in the consistency and rigor for the job. 
Moreover, the experienced Pilar Edo, presents a series of works, all developed on paper, where the author once again highlight the ability of some resources and procedures, such as stamping, collage and printing or transfer has. The mythological theme of the uncanny ability of Arachne (a weaver mortal) so far as to compete with the very Minerva, has been a matter brought by Pilar well not only to pay due tribute to the women of yesteryear, if not to justify further the course of this series, where the artist intended to cause reflection on the modest and undeserved role women assumed for many years (now less) and Pilar explains very well in the catalog when we say ... "A further task of women's work, where time passes without value, life is consumed slowly, the work does not pay or recognition and what is done is undone. " 
A sample that presents us with a very well crafted narrative with elegant coherence and harmony of language, which has taken care of every detail. Perhaps a brief comment to say that there are few examples in the exhibition displayed further away from the subject, where too blamed the decorative sense they have the resources of the printing of the brocades and other fabrics, finding further reinforced the most basic order of their composition and color resources products, causing the sensation of being very repetitive in form and sealed in his speech. I think that although all the works, with very good quality, are those which are hung in the first part of the room (upon entering) the holding entirely conceptual weight of the sample, but in any case, the exposure is not only good if not also beautiful, something that continues to speak very well, the work of Pilar Edo, so I recommend everyone to visit. 
provincial cultural center "classrooms" of our city this month passed the test with flying and all thanks to Eva Pilar Córdoba Armelle and Edo, who have taken delight in a good job. Congratulations to both. The exhibition will be open to the public until 30th April in the hours from Monday to Saturday from 10-14 and 17-21 hours.
to the next installment.
Amaury Suárez.
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