I Have A Red Blotchy Face

Dear Readers: Last Thursday

day 7 was inaugurated the exhibition of paintings by Paco Dalmau (Villa Real - 1978) entitled "polyptychs: Family Portraits" in the room from the street piggy bank Bancaja middle 82. Author as stated in the catalog of the exhibition, has academic training.

Although the sample, it provides a sense of order, visually clean and harmony exhibition, linked directly to the invoice for the finished works, (on aspects of the assembly) and the concept of spatial distribution in the room, which allows us to enjoy a pleasant and elegant environment to visit , that is somewhat depleted, when we notice the technical details or craft that have been used in carrying out the same, where we can clearly see some aspects deficiency directly related to the design and color with , which is very worrying case of a figurative work, very close in intent to a photorealistic naturalism. And is that for each language, there a specific mode or manner of conduct. The maturity of an artist can be measured when it is considered and evaluated in an objective, technical and intellectual possibilities for action to create, being aware of both their virtues and their limitations, because a thing is what you want to do , and quite another to what you can do, being aware of it, is a symptom of rigor, maturity and above all honesty, which will be very useful if you want to highlight as an individual within the art world. Thus, formally, when want to make a play, where the proposal of the image lies in a photorealistic fidelity language, the implementation of both the drawing as color, it should be fine and without any formal error, (2 example images) of Otherwise, the result is poor and directly threaten its quality. Another very different thing is that there is a clear intention to recreate, style or distort the object for a particular speech, in which case, these issues would be obscured and would not be analyzed in the same way, which undoubtedly is not the present case. Coupled with this is to say, not only matters how the work is done, but also and perhaps most important today is the speech, idea or concept that seeks to contribute to it.

And in this exhibition is not only the shortcomings of the trade aspects which in my opinion detract from the quality of the sample, as I said before, the idea or concept discourse accompanying a work is an aspect of utmost importance for the interest by, it can wake up in the broad public, and in the case of this exhibition, there is no renewal or iterative idea of \u200b\u200bportraiture. Cantinflesca

How the author uses to explain his proposal in the catalog, speaks of a desire to be one thing, it really is not supported with the result, the arguments of the speech is really confusing, vague and disconnected, and as those others, that somehow relates to the use of fragmentation "grid" of the compositions of the works, something that is simple and we are also particularly unoriginal for using this design has had in the past, by other artists in various stages of art and that unlike Dalmau, they have managed to develop more skill, originality and daring in his submission.

One of the most famous and clear examples in our time where we see the use of the grid as a formal proposal related to the speech of the play, is found in the collage and prints by David Hockney (example image ) in the late 70's and early 80's giving a new thrust of the proposal, thanks to innovative techniques such as paper pulp, polaroid photography, lithographs fractals, photocopying, etc faxed images. Hockney takes as works concerning ancient and modern masters, portraits, self portraits, works on the outlook and the multiplicity of viewing angles. We also find this resource grid in the works of the young Swiss photographer Cornelia Hediger ( sample picture) in its series "Doppelgänger" where the artist alludes to ghostly duality of being a clear example of concept art, or the magnificent and recent works of one of the great masters of American Hyperrealism as Chuck Close ( example image) where in his later works we see how it uses the grid in a sense close to the fragmentation of the pixel in the digital image to achieve an amazing photo realistic effect.

Considering only these three examples (many more) I can say only that the exposure of Paco Dalmau although some complimentary values \u200b\u200bthat I quoted earlier and which could undoubtedly establish itself as a good game, no longer a clear example of the need should always be the operator (belonging this to any branch linked to the image) to study and research on what want to do in art, and especially to what has been done in order to recreate within their means a different approach. The search for the information and analysis that make it serene, makes solid culture as vital and necessary ingredient to measure the professional quality of a creator, since it is very disappointing, considering that the novelty of having " invented the light bulb, then someone comes and tells us that there is already more than 130 years, thanks to a man named Thomas Edison. Until next

delivery. Amaury Suárez

Reebok Gloves Of Casillas

Two in One

Dear Readers:

already drawing to a close this September I want to dedicate this opinion piece, two exhibitions are also nearing completion next week, I'm referring to Marc A. Pérez Oliva, which is displayed in the Municipal Cultural Center of our city, which as we all know is located in Calle Antonio Maura, 4 and Evan Socías Clara, which in this case can be found in the exhibition space of the Centre Castalia Cultural Iuris, located in the Plaza Cardona Vives, 9.

Undoubtedly some, are very different these two exhibitions, in Oliván Perez, there is a clear intention and interest in the discursive aspects of the work, and a respectful care in handling compositional aspects of bill, drawing and color. With strong influences of Pop, in the treatment of spot and everyday scenes, the comic spirit emphasized by the black contour line that highlights the shape of the object at times sketchy and the clear influence of the surrealism of Magritte, Oliván Pérez sample turns out to be a set of very good quality and even more pleasant in his presentation.

However

in Socías Evan, just find "entertainments" gesture, with no other personality and novelty in the proposal, rather than what could be a monkey to paint, although in defense of the ingenuity of early hominid I must say, the author also tries to sell us for a reasonable price, as demonstrated by a rudimentary guide to reflect this aspect and also accompanies the sample. It would have been more dignified and receipt, which the author had been worried before learning to paint, than trying to sell their bland "abstractions" but as we know no taste for everything, and for that reason I hope success in the sale.

It nevertheless very interesting in this exhibition of Evangelina partners, inconsistent and Tomey Angel particular words, which according to the rubric attached to, an art historian, which are exaggerated in their assessment disconcerting analysis and very high praise for the results we saw in the sample, something that actually exists in the exhibition even remotely, for more will make you want to please and impress the author. Know the reasons which led Mr. Tomey to make that assessment, but after reading his words, which are reflected in simple "catalog" of this sample (a single page) I can only doubt his critical analysis, knowledge about art and everything, and for me the most dangerous and important, his sense of responsibility as "expert" should be when exercising a critique that will be read by professionals in the industry, and for the wide public neophyte who visit the samples. I truly believe after reading his words on the page - catalog, which attempt (and I somehow manage) as carriers of a literary beauty that Mr. Angel Tomey should devote more time to write prose and poetry, articles critical and analysis of art. In conclusion

tell all of you who attend to see these two exhibitions, although it is clear after knowing my view that the purpose of this recommendation is diametrically opposed to the intentions of delight you will experience when you see them, but as the saying goes, everything is learned.

to the next installment. Amaury Suárez

Hd-61g887 Troubleshooting

The "Blessed" works of Jerome Uribe. Version

Dear Readers:

With the title "Blessed" a tribute to the pixel pen, was inaugurated last September 21 to 16th October in the main hall Provincial Cultural Center "The Classroom", the exhibition of the painter and sculptor, Jerónimo Uribe Clarín.

The sample of undeniable beauty, exquisite and elegant presentation recreates digitized images of beautiful women in suggestive poses and theatrical attitudes, provide their naked bodies, which support anthropomorphic books, which are written in light, some texts poet who we speak of sensuality, eroticism and love. Jerome used this time, the resources offered by digital art, which give the example of an elegant coolness, which the author interrupts in a few examples of collages, with the warmth and imprint of a more traditional technique of drawing and painting.

While both the technical resource of language, the discourse level that the author proposes, does not include a novelty in itself, because from those creators and digital art pioneers such as Charles Csuri, Herbert W . Franke and Robert Mallary among others, has been a long and very good in this language and movement is always very pleasant when you can enjoy examples like this beauty exhibition, where the spotlight and almost reverence for women, (which has existed and has been treated since the beginning of time, both in painting and in art in general) are a beautiful proposal, thanks to a clear concern for the highest category aesthetics of the beautiful and respectful care of the technical aspects of the work, manifest on this occasion, by the exquisite with digital printing techniques, which provide the final result of the work, for an elegant finish, as a singular beauty, very much in keeping with the intention conceptual artist wants to transmit.

Jerónimo Uribe, as operator of tireless and methodical worker, likes to surprise us and renew in each proposal submitted to us, and is welcome, because it always leads to the undeniable admiration of all who consider the conscious and methodical search in work, both as a solid bulwark of creativity, and quality of proposals. Jerónimo Uribe Clarín Talking is always talk of a record relating to dedication and professionalism in everything he does, gaining broadly, the deserved respect and admiration of all who knew him and enjoyed his work. Congratulations teacher.

Suffice it to say that very heartily recommend everyone to visit this unique exhibition.

to the next installment

Amaury Suárez

Egyptian Nationality Visa In Uae

fallera against terrorism.

Dear Readers:

As previously announced by the press, a new monumental sculpture of more than 29 meters high made of steel and copper, with a weight exceeding 36 tonnes, work of a single, omnipotent and omnipresent great artist Castellon Juan Ripoll, will be inaugurated on 28th September at the roundabout at the southern ring road with Almassora in attend a ceremony (as there can be no other way and something that we have very well used, whenever something is inaugurate this artist) the choicest and sticky political authorities of our community, and perhaps ( as has been done on other occasions) to those residents near the site, which will first be invited by mail to go to witness the act, its distinguished actors and agents, without doubt the official marketing that accompanies this unique artist, is a luxury.

This time the theme of the work responds to the noble tribute that the operator of the victims of terrorism, establishing itself as spokesperson of the feeling of an entire people, and supported by the approval of the authorities themselves "competent" to attending the event and that in his day, commissioned the project. No doubt a noble cause, I think can only be comparable to the magnitude of the project, official support and intend to address, with universal and always referring to "Guernica" by Picasso, comparisons hurt, always odious, expose between the two proposals artistic, iconographic poverty and lack of creative input of "our", that using the Manichean and smug peace symbolic resources, such as hands and doves appear reviving in my memory, the glorious pamphlets emerged from the former Soviet Soviet cultural cradle of those policies of exaltation, of incomparable socialist realism.

Whatever the noble intention of the proposal, it is, this is outdated, unsophisticated, simplistic and unoriginal, as a symbolic and iconographic resources used in the pattern. From a technical standpoint, the piece presents a significant imbalance visual makes this falls to one side, which also aggravated by the treatment of color in the material, ie the arms holding the "stylized" bird, which by tradition and cultural heritage - religious, we attribute the image of "doves", but in reality its formal description in the piece, they can be perfectly swallows, gulls, starlings and budgerigars, has the same color "rusty" the artist insists on repeating the wrong way in the same side, pointing out even more, such an imbalance. The distribution of the elements together to form an inverted Y, it also reflects a simple and basic design aspects not only anchor, but also compositional, as if to say, "I will put an arm on the other hand, for me not to drop the doll" which is unfortunate case of a monument erected on land falleros masters, who have managed to record his technical mastery and compositional daring, beautiful and impressive flaws in the holiday period, both in Valencia and Burriana. If this sculpture participate by their shape and size, in a contest of failure, could only do so if the jurors admitted failures of the 4th or 5th class. And speaking of size, in my time college student (from this some time ago) I had a teacher who told me that an artist should always be careful when choosing formats in projects that would work, when asked if the reason was because of the complexity to solve proportions elements in the composition, this I answered in a way eschatologically illustrative, but nonetheless very effective, I have never forgotten, my teacher told me: "a large piece that has not been well resolved both technically -formal, as in the concept of discourse, usually as a great shit, while larger, more smell "since then I try to study the many things and make many sketches before.

was hoped, after so many "donations" that say this artist has done in recent times to "decorate" our town, that a new "creation" to appear at any time. And speaking of donations, this time we do not know yet (at least I have not seen written in the publications consulted) which is the cost of the work, if a donation, or have had to pay between all my I particularly like to know, as I would like such a monumental piece, corresponded to a great height ethical altruistic action by the author and political authorities, and that is more than the others, was donated, first because a sense of solidarity as pure and sincere as referenced should not fog up with gray areas that always accompany the money, and also because, these times are not for waste, not even to finance such noble monuments of speeches. Although I feel that the high in this case, only see reflected in the more than 29 meters in the part, not the altruistic actions of those mentioned above, although I'd be wrong.

is curious and even annoying, like the story with this artist is repeated again and again, because who but the great artist would Ripollés chosen to pay this tribute?, Who if not the great teacher "cabrituno" would be who had the honor of raising the highest and most important work of the city, leaving that dwarf from Snow White, the legendary Tombatossal of another great field , as is the master Melchor Zapata?, Who if not the great blessed folksy, prince of the arts town of Castellón, the great Ripollés Stephen, you can boost the merit of being chosen? Meanwhile, the people watching and unchanging silent, another of his "Ninots" that most unfortunately, are always "indultats" because they have never been cleaner food fire, perhaps the time and history are in charge of justice that have failed to make the men of today, particularly, that the authorities who claim to be "competent" and are now with cesarean attitude, decide who is and who is not, the next " chosen "to go to the arena.

to the next installment

Amaury Suárez