Dear Readers:
These days the Board Piggy Bank Bancaja Foundation Caja Castellón-Bancaja, located at street Enmedio 82, presents a series of tables , all in technical support oil on wood, the young painter Patricia Castellon Bonet, the title chosen this time to identify the sample is "Blue" direct and clear reference to the sea, specifically the Mediterranean Sea, it has been for this artist its source of inspiration, as well as luxurious setting, except that as a witness, took the finest chronicles of a conciliator past, where Jews, Moors and Christians, sharing daily life and future, leaving in its good work, enriching the existing footprint Mediterranean culture, which many feel proud today, but still unable to return to the harmonious coexistence of peoples of old. And it's funny, because despite all this, Bonet want to get away from social criticism, to demand a more contemplative work, emotional and aesthetic, where the value of language in the speech of the play, is based in plastic resource from which emanates a result of great sensuousness and lyricism.
Despite this apparent secrecy priori Bonet's work, we could convey, and which moreover is closely attuned to the iconographic background from which drinks such as: Kazimir Malevich Suprematistmo or color -field painting (painting 
Color Field) by Mark Rothko and Barnett Newman, (images of the paragraph) framed these last in the American abstract expressionism, the compositional aspect of great schematic that Patricia Bonet and addressed in all that relies heavily on a horizontal line at different heights in terms of representation, suggesting the various visual horizon we could see the sea through an imaginary window, which places us "Voyeur" the immensity of the waters and joined it, the wide range of blues that incorporates painter, pursued in some way in its direct reference to the proposal, two ways or levels of reading in their works, on the one hand, a close, individual or anecdote that is closely related to the rapid identification of the subject (the sea ) and a broader, evocative and worship, based on the concept that it is locked, ie, emotions, the scene of quiet and reflection that could penetrate even in the philosophical and mystical aspects associated with such experiential factors, among others. That is why the work of Patricia Bonet is as close as universal, as intimate as common to all, as airtight as open in their conceptual intentions, which leads to a broad spectrum polysemic discourse.
From the formal point of view, the works have an exquisite finish, where the use of color has been executed by thin glazes (dare I say that with an airbrush), yielding a result of great delicacy and beauty, The blue color stands as the main protagonist in many of its variants and combinations. Good bill on the outcome of works, we speak of a serious and steady, worthy of those who seek to reach with their art to lofty places of recognition and prestige.
current work Patricia Bonet, very close even though his background plastics, which also included within them to their teacher, the minimalist painter Rafael Calderon Valencia, (image of the paragraph) and it So this will somehow preclude the appearance of a work that has currently has a "personality" in their own language and iconography, claiming their work however, the honorable role of the painter as ever, that despite the pressure of the fingerprint technology (Shelter for another part of both fraud and deception by some) is convinced not only of its time and duration if not also their clear ability to break through with originality and distinction in today's art world.
The exhibition will be open until next February 25 and will be open from Monday to Friday from 11.00 to 13.00 and from 17.30 to 21.00. It goes without say that very heartily recommend it to everyone, because without a doubt in this exhibition, the beauty queen within its walls.
to the next installment. Amaury Suárez
These days the Board Piggy Bank Bancaja Foundation Caja Castellón-Bancaja, located at street Enmedio 82, presents a series of tables , all in technical support oil on wood, the young painter Patricia Castellon Bonet, the title chosen this time to identify the sample is "Blue" direct and clear reference to the sea, specifically the Mediterranean Sea, it has been for this artist its source of inspiration, as well as luxurious setting, except that as a witness, took the finest chronicles of a conciliator past, where Jews, Moors and Christians, sharing daily life and future, leaving in its good work, enriching the existing footprint Mediterranean culture, which many feel proud today, but still unable to return to the harmonious coexistence of peoples of old. And it's funny, because despite all this, Bonet want to get away from social criticism, to demand a more contemplative work, emotional and aesthetic, where the value of language in the speech of the play, is based in plastic resource from which emanates a result of great sensuousness and lyricism. 
Despite this apparent secrecy priori Bonet's work, we could convey, and which moreover is closely attuned to the iconographic background from which drinks such as: Kazimir Malevich Suprematistmo or color -field painting (painting 
Color Field) by Mark Rothko and Barnett Newman, (images of the paragraph) framed these last in the American abstract expressionism, the compositional aspect of great schematic that Patricia Bonet and addressed in all that relies heavily on a horizontal line at different heights in terms of representation, suggesting the various visual horizon we could see the sea through an imaginary window, which places us "Voyeur" the immensity of the waters and joined it, the wide range of blues that incorporates painter, pursued in some way in its direct reference to the proposal, two ways or levels of reading in their works, on the one hand, a close, individual or anecdote that is closely related to the rapid identification of the subject (the sea ) and a broader, evocative and worship, based on the concept that it is locked, ie, emotions, the scene of quiet and reflection that could penetrate even in the philosophical and mystical aspects associated with such experiential factors, among others. That is why the work of Patricia Bonet is as close as universal, as intimate as common to all, as airtight as open in their conceptual intentions, which leads to a broad spectrum polysemic discourse. 
From the formal point of view, the works have an exquisite finish, where the use of color has been executed by thin glazes (dare I say that with an airbrush), yielding a result of great delicacy and beauty, The blue color stands as the main protagonist in many of its variants and combinations. Good bill on the outcome of works, we speak of a serious and steady, worthy of those who seek to reach with their art to lofty places of recognition and prestige. 
current work Patricia Bonet, very close even though his background plastics, which also included within them to their teacher, the minimalist painter Rafael Calderon Valencia, (image of the paragraph) and it So this will somehow preclude the appearance of a work that has currently has a "personality" in their own language and iconography, claiming their work however, the honorable role of the painter as ever, that despite the pressure of the fingerprint technology (Shelter for another part of both fraud and deception by some) is convinced not only of its time and duration if not also their clear ability to break through with originality and distinction in today's art world. 
The exhibition will be open until next February 25 and will be open from Monday to Friday from 11.00 to 13.00 and from 17.30 to 21.00. It goes without say that very heartily recommend it to everyone, because without a doubt in this exhibition, the beauty queen within its walls. to the next installment. Amaury Suárez
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