: 5 THINGS YOU INDICATE THAT MADE YOU FEEL THE TASTE
1. You see every situation as an opportunity in your life: When you have different situations in every aspect of your life, especially with regard to new things and perhaps split you represent more responsibility, effort or time to spend, you get to see it as an opportunity to learn something new and take it positively so that what began have been a negative reason, transform it into something that brings new energy in your life.
2. Make the most of every opportunity in your life: definitely see how every circumstance in your life will give you a satisfactory or not in your life. The mentality of success before the opportunities are crucial for positive results 100% in everything we undertake.
be able to take advantage of every opportunity presented to you, taking all the learning that it will present, will ensure a successful life.
3. When thinking about your achievements feel joy at every small step: When you look in your mind what you have achieved through your life, you realize you've taken every time and you've made progress slowly along the road to success and you are very close to your goal, then you are an enterprising, optimistic, successful human being who manages to look small and make great progress. Remember that the
end of the road is not the highest achievement is that it is made personally, but he's happy with what you have, and notes that it has reached every achievement, valuing it highly, knowing that to reach the goal they had to several steps.
4. Go over each area of \u200b\u200byour life: professional, sentimental, family and staff and feel satisfied with it:
When you think about each of the fields involved in your life are you truly believe that everything you want to achieve is possible because has already achieved many things, and you feel happy, grateful and satisfied with the life you have, even though you know you can achieve more levels to climb and yet this not a problem for you as you take your life at a pace where you feel happy in the process of achieving success in all areas of your life and enjoy your life now.
5. You have many goals, but you step by step feeling confident of achieving them:
The setting goals is something you love because you feel proud of yourself and what you can to get every time you put your mind so that you methodically planned the way forward to achieve what you want, clinging to a plan where you step by step, keeping patient and knowing what you want to achieve is possible and for that you must move forward one step at a time
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with personal fulfillment in all areas of life www.psicoexito.com
"No hurry, do not be impatient to arrive where you want to go may be closer than you think, just be persistent and have faith. " Sandra C
Sunday, February 27, 2011
Friday, February 25, 2011
Niacinamide For Yeast
REWARD YOUR EFFORTS
Friends! Today has been a very productive day, with much learning and applying everything I learn in the way of this beautiful journey that is the internet world.
I took a break for dinner with my husband and talk about plans about what I want to achieve with my profession and in turn listen to their opinions and suggestions. I love what I'm doing, even though things are not always as we wish. At first we hope that things will be given as if by magic and that the effort we do is rewarded immediately, but the reality is that it is not, and yet it feels so good when you realize that every time you learn something new and you start seeing results when applying this knowledge. The reward is that, the satisfaction of seeing that your efforts are paying off, and that the effort is yours, you were able to do so to accomplish things had not even attempted before, perhaps out of fear, laziness perhaps, but never mind the past, but today.
I know the road to success is uncertain but that uncertainty appears according to what you do to reach the goal, what I mean is that uncertainty always appears at some point in our lives, especially when faced with new things, different situations, but this need not be a problem for you if you focus on filling all voids is in your way, with the knowledge, actions and do things that are necessary to achieve the desired success.
The time will depend on the rate at which you joined, if your pace is fast so get to it quickly, yes your own pace is slow, the path will be followed by a calm and smooth also reach the goal when you're ready.
So do not despair, do not lose faith when you embark on your project to life, remember the message of this quote "The only place Success This first job is in the dictionary. " I really liked that phrase and hear in a video of someone I admire a Colombian Alvaro Mendoza entrepreneur and expert on marketing and internet business.
The moral here is that if you have a dream, a goal that you want to accomplish and started working hard to get it, do not despair because the results do not come immediately, because sometimes success is around the corner and many choose to resign before the final steps because they can not see on the horizon the coveted signals.
WORK + FE + Patience + Persistence = Success
Find more articles, tips and materials for your success and personal growth in: http://www.psicoexito.com/ or receive in your e-mail newsletter and FREE material http:// suscripboletin.psicoexito.com /
Tuesday, February 22, 2011
Paste White Cervix Mucus Before Period
NOT LOOK THE EASY WAY, excite
Perhaps nothing to lose and much to learn in the way of life.
When we pursue a dream that actually comes from our hearts we surrender and are willing to give more effort nestro that it got. Perhaps the results will not occur immediately, or perhaps you realize you need to work harder to achieve what you wish, all this can happen but do not give up!
persevere is the only thing left for someone who is meant to be a winner, is not abandoning believed unable to continue breaking down barriers,
Who told you life was easy? life is not easy, life is a journey full of surprises, surprises that if we dare to discover, to confront bring us immense treasures to be valid every moment of sleep not sleep, every drop of sweat spilled every tear of despair where you almost surrendered and Persevere and yet cultivate patience.
Living is not easy, To live is exciting.
not seek the easy way, excite in the way, and find in each win a reward worthy of enjoying.
Personal fulfillment is the passion in every moment of our life.
Personal fulfillment is the passion in every moment of our life.
Success.
Betty Boop Cake Template
Portamaceta "or Gaiata?
Dear Readers.
"... Today we can walk through the streets of the city and enjoy a beautiful city, breathing new culture and marveling at works of art ..." These were some of the words he spoke last Friday February 18 our mayor, Mr. D. Alberto Fabra Part, in the opening ceremony of the sculpture entitled "Fire" author D. Jacinto Dominguez Luna, resident of our city and draftsman by profession, which is located at the roundabout intersection of Avenida de Valencia, Avenida de Burriana.
It's funny how some men in a clear example of verbal incontinence and political demagoguery, can be so wrong its aesthetic perception, and also with reckless daring intellectual lightweight to assess and differentiate, the beauty of ugliness, culture the pseudo-culture, the value of authentic popular, populist bad taste, making noted more evidence of wrong assessment, when the speaker has no, or very little knowledge of the subject, as to see so great mistake, we just have to walk the streets of Castellon, to realize the aesthetic aberration that exists in this so-called policy "beautification" of our city, where we found some real "blobs" (often the same author) that little or nothing to do, not with the high and worship, or the environment where it was located, work, perhaps if the election had been due to a serious study of urban design by professionals, not the incompetent capricious and uninformed opinion of officials or politicians of the day they so choose and assign, this does not happen, but nevertheless, we pay attention to what they say he who bears the greater responsibility for management within the community of people with always hope that something may change someday, but once again, heard the speech protocol of our lord mayor, come to mind illustrators words someone once said ... "Wise men talk because they have something to say. Politicians talk because they have to say something, but anyway, this would be a topic for another article.
Speaking of sculpture "Fire" Jacinto Dominguez, who is the subject at hand in this article, I have to confess that when I went to see the place, but with visible technical errors, such as footprints left by the use of radio and thick welds that are detrimental to the finish quality, this it was very nice in its natural rust color. There is no denying that Jacinto knows the material, but not enough to cover up the mistakes that do not escape the eye of the expert. Still, the fact is that we face a sculpture that reaches a height of approximately 8 by 5 meters in diameter, these values \u200b\u200bcontained in a weight of 5.2 tons, made of iron sheets 6mm thick by 750 mm wide which gives a certain visual lightness, and a decorative symmetry that adorns the built environment. But a beautiful color is not sufficient merit to speak of a good novel, much less to be proud of the work done, and it is in this sense, I want to do my work ethic.
As I have investigated the design of the sculpture 'Fire', arises from the author held in medium format (author and work in the picture) and was exhibited together with other (also metal) in an exhibition at the Municipal Cultural Centre of January 21, 2010 and since then, the author conceived as a representation or symbol of a flame.
I think the change of scale and visual counterweights, did not benefit from the monumental piece is now on display in the rotunda, as its current composition and rhythm errors are evident, highlighting the lack of rigor and knowledge of the author in this respect, since the rigidified to the point that more than a fire, (element characterized by its asymmetry and dynamism of lines) this piece could well serve as a rusty tribute to the "Gaiata" (something Castellon otherwise) or a monumental support for clay pots on a heroic scale, of which we referenced in the gardening section of stores or DIY stores. However, this lack of movement, improper object represented (the fire) was not in the medium-format sculpture exhibited Jacinto Municipal Center of Culture of Antonio Maura Street in January 2010, which brought more dynamism and compositional control . I think the fear that the iron sheets 6mm thick for 750 mm wide are "separated", forced the inexperienced sculptor, to use a preventive measure or very basic solution, placing a kind of belt on the lower piece into something hard, really naive and worthless composition whatsoever. Not having the necessary knowledge (both theoretical and practical) and the experience they bring years of dedication to the specialty, nor is it truly an expert in the volume, in this case a sculptor, these episodes tend to occur regrettable, frankly unfortunate that before a rigorous testing and professional evaluation of the proposal, which was born as "sculpture" monumental, is simply a large nondescript object that does not pass approved.
want to go concluding this article, illustrated with a valuable example of a professional job of Ricardo Ugarte sculptor, painter, printmaker, photographer and writer belonging to the Basque School of Sculpture with Jorge Oteiza and Eduardo Chillida, among others, and oddly named: "The flapping of fire" (last three images) . As you can see in this magnificent work of great dynamism of the famous Basque sculptor, imagine and feel with great emotion, to the warmth of their asymmetric flames, which unfortunately, is far lighter fire that proposes Mr. Jacinto Dominguez.
And is that as in any trade or profession, there are rules to respect, to acquire knowledge and skill to develop. Lying up a draftsman and sculptor is very difficult, much more when try to do something as big as this unique "fire" that he proposes Jacinto Dominguez outcrops without reservation, the authentic and real needs that have the author in this artistic discipline. Because that is something that even if we want garnish with kind and enthusiastic words, politically correct, as our mayor delivered his inauguration day, we can not deny or conceal the truth, because good will always be the tinsmith to make pots Copper and oilers, but their knowledge is limited, for most ambitious and monumental projects that require more training him.
And meanwhile I wonder ... What Mayor opened the roundabout Avenue Valencia, Avenida de Burriana, a "Fire", a "Portamaceta" or "Gaiata" iron?
to the next installment
Amaury Suárez
"... Today we can walk through the streets of the city and enjoy a beautiful city, breathing new culture and marveling at works of art ..." These were some of the words he spoke last Friday February 18 our mayor, Mr. D. Alberto Fabra Part, in the opening ceremony of the sculpture entitled "Fire" author D. Jacinto Dominguez Luna, resident of our city and draftsman by profession, which is located at the roundabout intersection of Avenida de Valencia, Avenida de Burriana.
It's funny how some men in a clear example of verbal incontinence and political demagoguery, can be so wrong its aesthetic perception, and also with reckless daring intellectual lightweight to assess and differentiate, the beauty of ugliness, culture the pseudo-culture, the value of authentic popular, populist bad taste, making noted more evidence of wrong assessment, when the speaker has no, or very little knowledge of the subject, as to see so great mistake, we just have to walk the streets of Castellon, to realize the aesthetic aberration that exists in this so-called policy "beautification" of our city, where we found some real "blobs" (often the same author) that little or nothing to do, not with the high and worship, or the environment where it was located, work, perhaps if the election had been due to a serious study of urban design by professionals, not the incompetent capricious and uninformed opinion of officials or politicians of the day they so choose and assign, this does not happen, but nevertheless, we pay attention to what they say he who bears the greater responsibility for management within the community of people with always hope that something may change someday, but once again, heard the speech protocol of our lord mayor, come to mind illustrators words someone once said ... "Wise men talk because they have something to say. Politicians talk because they have to say something, but anyway, this would be a topic for another article.
Speaking of sculpture "Fire" Jacinto Dominguez, who is the subject at hand in this article, I have to confess that when I went to see the place, but with visible technical errors, such as footprints left by the use of radio and thick welds that are detrimental to the finish quality, this it was very nice in its natural rust color. There is no denying that Jacinto knows the material, but not enough to cover up the mistakes that do not escape the eye of the expert. Still, the fact is that we face a sculpture that reaches a height of approximately 8 by 5 meters in diameter, these values \u200b\u200bcontained in a weight of 5.2 tons, made of iron sheets 6mm thick by 750 mm wide which gives a certain visual lightness, and a decorative symmetry that adorns the built environment. But a beautiful color is not sufficient merit to speak of a good novel, much less to be proud of the work done, and it is in this sense, I want to do my work ethic.
As I have investigated the design of the sculpture 'Fire', arises from the author held in medium format (author and work in the picture) and was exhibited together with other (also metal) in an exhibition at the Municipal Cultural Centre of January 21, 2010 and since then, the author conceived as a representation or symbol of a flame.
I think the change of scale and visual counterweights, did not benefit from the monumental piece is now on display in the rotunda, as its current composition and rhythm errors are evident, highlighting the lack of rigor and knowledge of the author in this respect, since the rigidified to the point that more than a fire, (element characterized by its asymmetry and dynamism of lines) this piece could well serve as a rusty tribute to the "Gaiata" (something Castellon otherwise) or a monumental support for clay pots on a heroic scale, of which we referenced in the gardening section of stores or DIY stores. However, this lack of movement, improper object represented (the fire) was not in the medium-format sculpture exhibited Jacinto Municipal Center of Culture of Antonio Maura Street in January 2010, which brought more dynamism and compositional control . I think the fear that the iron sheets 6mm thick for 750 mm wide are "separated", forced the inexperienced sculptor, to use a preventive measure or very basic solution, placing a kind of belt on the lower piece into something hard, really naive and worthless composition whatsoever. Not having the necessary knowledge (both theoretical and practical) and the experience they bring years of dedication to the specialty, nor is it truly an expert in the volume, in this case a sculptor, these episodes tend to occur regrettable, frankly unfortunate that before a rigorous testing and professional evaluation of the proposal, which was born as "sculpture" monumental, is simply a large nondescript object that does not pass approved.
want to go concluding this article, illustrated with a valuable example of a professional job of Ricardo Ugarte sculptor, painter, printmaker, photographer and writer belonging to the Basque School of Sculpture with Jorge Oteiza and Eduardo Chillida, among others, and oddly named: "The flapping of fire" (last three images) . As you can see in this magnificent work of great dynamism of the famous Basque sculptor, imagine and feel with great emotion, to the warmth of their asymmetric flames, which unfortunately, is far lighter fire that proposes Mr. Jacinto Dominguez.
And is that as in any trade or profession, there are rules to respect, to acquire knowledge and skill to develop. Lying up a draftsman and sculptor is very difficult, much more when try to do something as big as this unique "fire" that he proposes Jacinto Dominguez outcrops without reservation, the authentic and real needs that have the author in this artistic discipline. Because that is something that even if we want garnish with kind and enthusiastic words, politically correct, as our mayor delivered his inauguration day, we can not deny or conceal the truth, because good will always be the tinsmith to make pots Copper and oilers, but their knowledge is limited, for most ambitious and monumental projects that require more training him.
And meanwhile I wonder ... What Mayor opened the roundabout Avenue Valencia, Avenida de Burriana, a "Fire", a "Portamaceta" or "Gaiata" iron?
to the next installment
Amaury Suárez
Wednesday, February 16, 2011
Restoring Teak Wood Bench
"Blue." A look behind the eyes.
Dear Readers:
These days the Board Piggy Bank Bancaja Foundation Caja Castellón-Bancaja, located at street Enmedio 82, presents a series of tables , all in technical support oil on wood, the young painter Patricia Castellon Bonet, the title chosen this time to identify the sample is "Blue" direct and clear reference to the sea, specifically the Mediterranean Sea, it has been for this artist its source of inspiration, as well as luxurious setting, except that as a witness, took the finest chronicles of a conciliator past, where Jews, Moors and Christians, sharing daily life and future, leaving in its good work, enriching the existing footprint Mediterranean culture, which many feel proud today, but still unable to return to the harmonious coexistence of peoples of old. And it's funny, because despite all this, Bonet want to get away from social criticism, to demand a more contemplative work, emotional and aesthetic, where the value of language in the speech of the play, is based in plastic resource from which emanates a result of great sensuousness and lyricism.
Despite this apparent secrecy priori Bonet's work, we could convey, and which moreover is closely attuned to the iconographic background from which drinks such as: Kazimir Malevich Suprematistmo or color -field painting (painting Color Field) by Mark Rothko and Barnett Newman, (images of the paragraph) framed these last in the American abstract expressionism, the compositional aspect of great schematic that Patricia Bonet and addressed in all that relies heavily on a horizontal line at different heights in terms of representation, suggesting the various visual horizon we could see the sea through an imaginary window, which places us "Voyeur" the immensity of the waters and joined it, the wide range of blues that incorporates painter, pursued in some way in its direct reference to the proposal, two ways or levels of reading in their works, on the one hand, a close, individual or anecdote that is closely related to the rapid identification of the subject (the sea ) and a broader, evocative and worship, based on the concept that it is locked, ie, emotions, the scene of quiet and reflection that could penetrate even in the philosophical and mystical aspects associated with such experiential factors, among others. That is why the work of Patricia Bonet is as close as universal, as intimate as common to all, as airtight as open in their conceptual intentions, which leads to a broad spectrum polysemic discourse.
From the formal point of view, the works have an exquisite finish, where the use of color has been executed by thin glazes (dare I say that with an airbrush), yielding a result of great delicacy and beauty, The blue color stands as the main protagonist in many of its variants and combinations. Good bill on the outcome of works, we speak of a serious and steady, worthy of those who seek to reach with their art to lofty places of recognition and prestige.
current work Patricia Bonet, very close even though his background plastics, which also included within them to their teacher, the minimalist painter Rafael Calderon Valencia, (image of the paragraph) and it So this will somehow preclude the appearance of a work that has currently has a "personality" in their own language and iconography, claiming their work however, the honorable role of the painter as ever, that despite the pressure of the fingerprint technology (Shelter for another part of both fraud and deception by some) is convinced not only of its time and duration if not also their clear ability to break through with originality and distinction in today's art world.
The exhibition will be open until next February 25 and will be open from Monday to Friday from 11.00 to 13.00 and from 17.30 to 21.00. It goes without say that very heartily recommend it to everyone, because without a doubt in this exhibition, the beauty queen within its walls.
to the next installment. Amaury Suárez
These days the Board Piggy Bank Bancaja Foundation Caja Castellón-Bancaja, located at street Enmedio 82, presents a series of tables , all in technical support oil on wood, the young painter Patricia Castellon Bonet, the title chosen this time to identify the sample is "Blue" direct and clear reference to the sea, specifically the Mediterranean Sea, it has been for this artist its source of inspiration, as well as luxurious setting, except that as a witness, took the finest chronicles of a conciliator past, where Jews, Moors and Christians, sharing daily life and future, leaving in its good work, enriching the existing footprint Mediterranean culture, which many feel proud today, but still unable to return to the harmonious coexistence of peoples of old. And it's funny, because despite all this, Bonet want to get away from social criticism, to demand a more contemplative work, emotional and aesthetic, where the value of language in the speech of the play, is based in plastic resource from which emanates a result of great sensuousness and lyricism.
Despite this apparent secrecy priori Bonet's work, we could convey, and which moreover is closely attuned to the iconographic background from which drinks such as: Kazimir Malevich Suprematistmo or color -field painting (painting Color Field) by Mark Rothko and Barnett Newman, (images of the paragraph) framed these last in the American abstract expressionism, the compositional aspect of great schematic that Patricia Bonet and addressed in all that relies heavily on a horizontal line at different heights in terms of representation, suggesting the various visual horizon we could see the sea through an imaginary window, which places us "Voyeur" the immensity of the waters and joined it, the wide range of blues that incorporates painter, pursued in some way in its direct reference to the proposal, two ways or levels of reading in their works, on the one hand, a close, individual or anecdote that is closely related to the rapid identification of the subject (the sea ) and a broader, evocative and worship, based on the concept that it is locked, ie, emotions, the scene of quiet and reflection that could penetrate even in the philosophical and mystical aspects associated with such experiential factors, among others. That is why the work of Patricia Bonet is as close as universal, as intimate as common to all, as airtight as open in their conceptual intentions, which leads to a broad spectrum polysemic discourse.
From the formal point of view, the works have an exquisite finish, where the use of color has been executed by thin glazes (dare I say that with an airbrush), yielding a result of great delicacy and beauty, The blue color stands as the main protagonist in many of its variants and combinations. Good bill on the outcome of works, we speak of a serious and steady, worthy of those who seek to reach with their art to lofty places of recognition and prestige.
current work Patricia Bonet, very close even though his background plastics, which also included within them to their teacher, the minimalist painter Rafael Calderon Valencia, (image of the paragraph) and it So this will somehow preclude the appearance of a work that has currently has a "personality" in their own language and iconography, claiming their work however, the honorable role of the painter as ever, that despite the pressure of the fingerprint technology (Shelter for another part of both fraud and deception by some) is convinced not only of its time and duration if not also their clear ability to break through with originality and distinction in today's art world.
The exhibition will be open until next February 25 and will be open from Monday to Friday from 11.00 to 13.00 and from 17.30 to 21.00. It goes without say that very heartily recommend it to everyone, because without a doubt in this exhibition, the beauty queen within its walls.
to the next installment. Amaury Suárez
Saturday, February 12, 2011
Read Kamehasutra English Online
A world full of "tarecos" at the Sala San Miguel
Tareco (n.) definition:
Ajilimoje, ajilimójili, gear, jumble, out Cachirulo, buzzword, gossip, things, loose things, little things, salad, appliances, Maritato, mixture, patchwork, odds and ends, pingo, clothing, Thanatos, junk, chess pieces, clothing, trinkets.
Dear readers
Since the first time in 1917 Marcel Duchamp placed a urinal in an exhibition titled "Fontaine" as an illustrator of what he considered his aesthetic perception of non-art, and not precisely as a sensitive and promoter of new art, museums, galleries and state linked to the current post encompassed in the forefront informal and / or conceptual wrongly classified as contemporary art spaces (as if it were only such contemporary art or language) no longer filled with "works" unintelligible, of dubious aesthetic value of useless and dirty everyday objects, where "new" has ceased to be (and long) and where it is becoming increasingly necessary to have large storage space to store many "tarecos" useless and dull, they do not do anything but "fat" with powder containing, causing the same indifference, isolation and even rejection, that of the famous and notorious white urinal that French artist, one that almost always, the "new" attempts to continue to claim their piece of "originality", remind me more and more to the original and therefore still appear all over me boring if possible.
This was precisely the feeling I experienced in part to visit the exhibition "Paillet, protheses, Poubelle" (Sequins, appliances, trash) Anita Miller, Nina Childress and Emmanuelle Villard who is currently on display at the Center Exhibitions San Miguel de la Fundación Caixa Castelló-Bancaixa Enmedio street, 17, and that it could not be otherwise (since this type of art tends to need it) comes with up to a commissioner, Mr. Ramón Tio Bellido for explaining it, which we are "illustrated" in your presentation on-line, http://obrasocial.bancaja .com / culture / exhibitions / exposicionesficha.aspx? ID = 352 in a language that only he and maybe a few more, we can be of great interest, not so attractive and profound concepts that drive, but perhaps so bland, simple and ambiguous that it is what he says, because in his text not only describes what we all see, but also tries to impose what one perceives. When I'm in the presence cases like these, always comes to mind David Hockney's words when he says "It is not necessary to believe in what you say an artist, but what he does," I think when we need to explain to others what one ago, I can think of two reasons that cause it - surely there are more, but only tell you two - first, because the creation of the work only in the interest and satisfaction that made, which a priori would be nice if we consider that it is good to respect individual freedom of the artist, so he can do and say whatever he deems necessary, but in defense of that individual freedom can not break the link with those they are called to enjoy and appreciate what we do, that is, public art, which also included many specialists in the field, as critics and artists, because if we do not have in mind and / or deny, For what it the individual that freedom really worth? whereupon What would be an exhibition like this that nobody understands and few admire? Some think that this secrecy in the course of the works, is also present in other movements or types of arts, such as abstraction, however, lies the subtle difference between these two approaches or ways to create, is that abstract art, its results will be organized from plastic resources inherent to the painting, which is not quite tight at least for those who understand that language, concepts and know how to handle use the resources that are unique in their form of expression.
And the second reason, perhaps more generic and reflective than before, but in close connection with this, is that for art to be a factor resulting stimulus to meditation and the sensitivity of people (experts or not) it is necessary that these are recognized in him, because if something goes wrong or is wrong and in this exhibition, more tire and auto parts to be displayed or blue dumpsters hanging ceiling, do not believe this action will inspire even the sensitive and empathetic understanding of auto mechanics, or distinguished urban sanitation workers.
The truth is that despite everything and as a curiosity, we see a huge waste in the use of supports used in this exhibition such as car tires and agricultural machinery hanging from the ceiling of the room , plastic containers for garbage, half melted as a result of the action of heat of a torch, steel wire boxes, colored plastics, automobile taillights which melted and assembled mosaic and many more gadgets I do think in a large housekeeping operation of a machine shop than in a showroom display pieces of art.
And that is the great paradox of all this lies in that many of the representatives or to represent this type of art, insisting repeatedly denying the value of modern or contemporary than the traditional trades may have classic or academic misnamed. For many of these defenders of the mega ultra modern and contemporary art, a brush, some paint and a piece of canvas, it is somewhat obsolete, old "fashion" and almost meaningless today, but however, this exhibition of both "Contemporary Art", is precisely the support that has been used in the work, which seems to be the causal factor that leads to the "original" or "only" the result, that yet another time (archaic for some) of another type of art would have no greater interest than that which supports the durability of the technical. It is curious to see how this exaltation of the calls in the result, is linked to this (the media) that has always been more linked to technical means and material comprising the office, that the purpose of the proposed conceptual discourse.
the end to this modern conception of the "contemporary" we have gone from an art, where the communication of the speeches in greater or lesser degree was understood, or at least shared by all, to a world of " tarecos" useless, dumb and outdated we expect that as the dust that covers them, lost in oblivion, with the slightest breeze fair and righteous over time.
to the next installment
Amaury Suárez
Ajilimoje, ajilimójili, gear, jumble, out Cachirulo, buzzword, gossip, things, loose things, little things, salad, appliances, Maritato, mixture, patchwork, odds and ends, pingo, clothing, Thanatos, junk, chess pieces, clothing, trinkets.
Dear readers
Since the first time in 1917 Marcel Duchamp placed a urinal in an exhibition titled "Fontaine" as an illustrator of what he considered his aesthetic perception of non-art, and not precisely as a sensitive and promoter of new art, museums, galleries and state linked to the current post encompassed in the forefront informal and / or conceptual wrongly classified as contemporary art spaces (as if it were only such contemporary art or language) no longer filled with "works" unintelligible, of dubious aesthetic value of useless and dirty everyday objects, where "new" has ceased to be (and long) and where it is becoming increasingly necessary to have large storage space to store many "tarecos" useless and dull, they do not do anything but "fat" with powder containing, causing the same indifference, isolation and even rejection, that of the famous and notorious white urinal that French artist, one that almost always, the "new" attempts to continue to claim their piece of "originality", remind me more and more to the original and therefore still appear all over me boring if possible.
This was precisely the feeling I experienced in part to visit the exhibition "Paillet, protheses, Poubelle" (Sequins, appliances, trash) Anita Miller, Nina Childress and Emmanuelle Villard who is currently on display at the Center Exhibitions San Miguel de la Fundación Caixa Castelló-Bancaixa Enmedio street, 17, and that it could not be otherwise (since this type of art tends to need it) comes with up to a commissioner, Mr. Ramón Tio Bellido for explaining it, which we are "illustrated" in your presentation on-line, http://obrasocial.bancaja .com / culture / exhibitions / exposicionesficha.aspx? ID = 352 in a language that only he and maybe a few more, we can be of great interest, not so attractive and profound concepts that drive, but perhaps so bland, simple and ambiguous that it is what he says, because in his text not only describes what we all see, but also tries to impose what one perceives. When I'm in the presence cases like these, always comes to mind David Hockney's words when he says "It is not necessary to believe in what you say an artist, but what he does," I think when we need to explain to others what one ago, I can think of two reasons that cause it - surely there are more, but only tell you two - first, because the creation of the work only in the interest and satisfaction that made, which a priori would be nice if we consider that it is good to respect individual freedom of the artist, so he can do and say whatever he deems necessary, but in defense of that individual freedom can not break the link with those they are called to enjoy and appreciate what we do, that is, public art, which also included many specialists in the field, as critics and artists, because if we do not have in mind and / or deny, For what it the individual that freedom really worth? whereupon What would be an exhibition like this that nobody understands and few admire? Some think that this secrecy in the course of the works, is also present in other movements or types of arts, such as abstraction, however, lies the subtle difference between these two approaches or ways to create, is that abstract art, its results will be organized from plastic resources inherent to the painting, which is not quite tight at least for those who understand that language, concepts and know how to handle use the resources that are unique in their form of expression.
And the second reason, perhaps more generic and reflective than before, but in close connection with this, is that for art to be a factor resulting stimulus to meditation and the sensitivity of people (experts or not) it is necessary that these are recognized in him, because if something goes wrong or is wrong and in this exhibition, more tire and auto parts to be displayed or blue dumpsters hanging ceiling, do not believe this action will inspire even the sensitive and empathetic understanding of auto mechanics, or distinguished urban sanitation workers.
The truth is that despite everything and as a curiosity, we see a huge waste in the use of supports used in this exhibition such as car tires and agricultural machinery hanging from the ceiling of the room , plastic containers for garbage, half melted as a result of the action of heat of a torch, steel wire boxes, colored plastics, automobile taillights which melted and assembled mosaic and many more gadgets I do think in a large housekeeping operation of a machine shop than in a showroom display pieces of art.
And that is the great paradox of all this lies in that many of the representatives or to represent this type of art, insisting repeatedly denying the value of modern or contemporary than the traditional trades may have classic or academic misnamed. For many of these defenders of the mega ultra modern and contemporary art, a brush, some paint and a piece of canvas, it is somewhat obsolete, old "fashion" and almost meaningless today, but however, this exhibition of both "Contemporary Art", is precisely the support that has been used in the work, which seems to be the causal factor that leads to the "original" or "only" the result, that yet another time (archaic for some) of another type of art would have no greater interest than that which supports the durability of the technical. It is curious to see how this exaltation of the calls in the result, is linked to this (the media) that has always been more linked to technical means and material comprising the office, that the purpose of the proposed conceptual discourse.
the end to this modern conception of the "contemporary" we have gone from an art, where the communication of the speeches in greater or lesser degree was understood, or at least shared by all, to a world of " tarecos" useless, dumb and outdated we expect that as the dust that covers them, lost in oblivion, with the slightest breeze fair and righteous over time.
to the next installment
Amaury Suárez
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